Archive for February, 2009

Bunny vs. Veebs in the Professional Chop-Licker World Championship

Wednesday, February 18th, 2009 { Bunny & Veebs, Cats }

We bring you the first in a series called “Bunny vs. Veebs.” It’s always a competition between them for one thing or another, and so today we ask, WHO is the best chop-licker? After a round of treats, we’re ready to begin.

First up, Bunny:

My God he’s killing me with the black specks on either side of mouth. A mouth that is shaped like the world’s most ADORABLE PENTAGON. Veebs is going to have to seriously bring it if he wants to win.

You may begin:

Veebs! “I see your black specks and raise you a CRINKLED NOSE!” Well played sir. Well played.

And the winner is….

????!?

Q&A: Reader’s questions, Part I – the favorites

Monday, February 16th, 2009 { Personal, Q&A }

Some online friends have been kind enough to send me questions so that I could beef up my “About” page, and give me something to write about this new biz of mine in general. I’ve gotten some really, really great questions, and the plan is to answer all of them, in a series of “Q&A” posts.

For the first post, I’ve picked a few of my favorites. Here are the first 5…

From Caitlyn, who wins the Most Favorite Question Award
Q: If you could photograph one famous animal, who would you choose? (regardless of whether s/he is currently alive)
A: The First Dog, in a heartbeat. I’ve been thinking about this a lot, actually. As far as I know there has never been an Official White House Pet Photographer. A gross oversight if you ask me, and one that can be easily rectified. Call me.

I’m waiting on pins and needles for the Obama girls to pick their new puppy. Last word was they were deciding between a Labradoodle and a Portuguese Water Dog.

Look! A Labrador, a poodle, and a Portuguese Water Dog! Coincidence, or qualifications? Hmmmm.

In case you’re wondering, the first photo shoot would take place aboard Air Force One. Hopefully when lobster’s on the menu.

The next famous animal I’d photograph is Howard Stern’s English bulldog, Bianca Romijn-Stamos-O’Connell.

From Vicki:
Q: Was there a particular moment when you realized you wanted to become more serious about photography?
A: Yes. It was April 2008, in Atlanta, at my parents’ house, at the kitchen table, in the evening. I was helping them to pack up the house for their move to Beijing. During a break strolling through the internet, I stumbled upon this wedding photographer’s portfolio. I had kind of been a lurker on an older blog of hers a long time ago, when she was a graphic/print designer. Her foray into professional photography seemed fairly recent – and to me, very sudden, since I didn’t know the backstory – so between that and the quality of her photos, I was just blown away. The fact that someone had the ability to not only recognize that natural talent within them, but to do something about it! A new career path! I was both inspired and envious at the same time. I might have even been a little sad. Sad for me and my lack of insight/ambition/courage that I never saw it in myself to do the same.

It’s scary chasing your dreams. But people do it all the time, with much happiness and success. And I suddenly realized, So why not me? WHY NOT??

I called up Dan back in Boston. Enough of these shenanigans, I said. I’ve had quite enough of the flitting from one uninspiring career choice to the next, tired of merely tolerating a job rather than exulting in it, sick of the complacency. Photography could be something more, more than a for-fun thing, on-the-weekends thing, while-traveling thing. It could be the real thing.

That said though, I haven’t quit my day job! I don’t think I would have been able to do this venture without it, however “uninspiring” for me it may be. It has reaffirmed what I am good at, and mostly what I am not. Also, these jobs pay. Maybe I’m bleh and meh about it half the time, but at least I have the means to fill those empty spaces with another round of overpriced cocktails without too much remorse, you know?

So by nature I am not one of those entrepreneurs who are willing to risk their 401k to fund their venture, or dive into something so brand new without a safety net that comes in the form of hefty savings. That, and…a working husband. There, I said it. As it turns out, I’m really not that brave. And I’m sexist.

From Allie:
Q: What food do you think tastes the BEST and you would most like to photograph?
A: Taiwanese food tastes the BEST. I just had some this weekend and yep, it was the best. No it’s not Thai food, and it’s not Chinese food, it’s Taiwanese and in a class by itself. I have a hard time describing what that is when people ask. Some choice words that come to mind are “brothy” and “simple,” “shallot-y” and “cilantro-y.” Does that paint a picture? The best dishes have only a few ingredients, and have none of the heaviness of most Chinese food, and are very inventive. Such as:

Shaved ice, topped with mango and sweet red beans, then slathered in condensed milk. It’s really ice cream, but decontructed. Sometimes I dream about it at nights.

I also really like steak.

From Erica:
Q: Why animal photography in particular? Why did you choose to focus on animals instead of just general photography?
A: So after I decided I wanted to become a photographer, I spent a lot of time wondering what kind. I had to have a specialty. Without that, there is no focus, and therefore no viable business plan, simple as that. General photography is just too all-encompassing, and besides, each niche has its own skill sets that go way beyond just taking the photographs.

Of course there is also simply the natural interest towards the subject you’re photographing. I knew I didn’t want to do sport, or catalog, or baby, or wedding. I do love to travel, so travel photography seemed to be an option. I do love to eat, so food photography seemed to be another. But how in the world does one get their foot in the door with respect to either? That was the burning question…along with coming up with the skill sets I could bring to the table as a photographer, aside from the ability to press a shutter. I sat on this for awhile.

Then in July, my friend in Seattle emailed and said she was having her new Cavalier King Charles Spaniel photographed, and would I like to see?

Up until that second I had very little notion of what pet photography was, except that perhaps a dog would be set against a cloth backdrop while wearing clothing in unnatural poses. But this! This was something else entirely. Candid, modern, beautiful -  it was fine art! Of pets! Haha! Wait! I could do this! I HAVE been doing this, all this time! Not nearly to that level of course, but for all intents and purposes I have been the personal pet photographer of VanBuren and Baxter these last ten years. It wasn’t so much a quest for “fine art” portraits as just an unhealthy obsession with the cats and the strange need to document their every expression.

But I’m not the first person who is crazy about their pets, nor will I be the last. Pets + photography = OF COURSE!!!

I couldn’t believe I hadn’t come up with this myself. Look at the neighborhood I’m in, what with all the beautiful dogs and cats in every other rowhouse, dog walkers aplenty, an animal rescue league down the street, a day spa around the corner, a dog treat boutique further down. And the fact that I just. love. pets.  What a no-brainer.

From Elena:
Q: What is the most difficult part of your new business?
A: So far, everything but the photography. Getting all the details in place, no matter how mundane. Coming up with the name was by far the most difficult (how that came about will be in another post). The name sets the entire branding for your business. Everything eventually flows out of that, from color schemes to the design of the logo to the design of the website, business cards, the tone of your business, and who you are as the business owner. Fun? Serious? Irreverent? Obnoxious?

Another difficult aspect would be shutting up the inner demons that make me question if I’m really good enough to do this. I think a dose of self-doubt every now and then is not a bad thing. It propels you to reinvent yourself if need be, and to never stop learning. When it’s really bad though, I turn to Dan who usually sets me straight in a way that only men can do. Dude, he says. Stop it. Have a glass of wine. You’re gonna be fine.

…to be continued…

Celebrating luv

Friday, February 13th, 2009 { Personal }

Below is a partial transcript of a chat thread between my BFF Anne (aka Kitty) and me today:

Anne: Hey are you home today?
Me:
Home most of the time, why? (fyi: I work from home)
Anne:
Heh heh heh.
Me:
What’s going on kitty.
Anne:
I am sending you a congratulations gift. It will arrive probably between 1 and 3 today.
Me:
What kitty what? REALLY?
Anne
: I am so excited for you. I had to call a local Boston business to arrange it. (Anne lives in Manhattan)
Me:
That is so AWFUL NICE OF YOU! I HOPE IT’S A KITTEN.
Anne
: It is a BASKET OF STRAY CATS. I am so excited for you, seriously.
Me:
(rather moved)…No, I’m not crying…It’s just been raining…On my face.
Anne
: Kitty don’t make me cry, I am so proud! You have been working so hard on this. (Yes she calls me “kitty” too. It’s a sick disease we have)
Me:
…I’ve just been chopping onions…

*Several minutes tick by *

Me: Why isn’t the surprise here yet?
Anne:
Because, kitty.
Me:
Because they have to brush the pony’s hair first?
Anne:
And to pick JUST the right saddle.
Me:
Dude. Awesome.
Anne:
Yeah don’t get your hopes up. It will be almost as good as a pony.
Me:
So it’s George Clooney is it?
Anne:
YES, GC with the FOC logo tatooed on his HAUNCH.

Here is what arrived an hour later:

Do I have the greatest friends or what? I’m overflowing with the warm and fuzzies. And soon, the bubblies.

To online friends and acquaintances – thank you so much for all the comments and the stellar questions. I’ll have plenty now to fill my extremely thin “About” page. I’ll start posting answers sometime next week, so stay tuned!

xoxo

Displaying prints

Thursday, February 12th, 2009 { Displaying prints, FOCStudio Business }

Before I start shooting, I always have a picture in my mind’s eye how I’d like a capture to look, either based on the lighting around the subject at the moment, the subject’s mood, the subject’s surroundings. Lately though, I’ve been taking on a more “macro” approach, seeing not just the capture as it appears in front of me, but in large-scalish print – matted, framed, propped on a mantel or hung on the wall. The whole finished product. And since I think photos have more visual impact when arranged in a group, I’m no longer just thinking about one capture, but a series of captures at a time. Because at the end of the day, these photos are not meant to be squirreled away inside shoeboxes or between pages of an album, even. They are meant to be ON! DISPLAY! and I want to be able to give customers ways of doing it that will have the most visual and emotional impact.

So here is just one example: photos in the same color and pose or angle “family.” I think design-wise it’s cohesive, and most importantly, an effective way of telling a story.

Below is a B&W series of Kitty. We have the same pose, but different angles. Kitty was quite comfy in her loaf pose, so I had to work with that before I disrupted her cat zen and made her actively participate.

Taken individually, I don’t think these photos are SO so interesting. Except for perhaps the giant heart-shaped rump shot, my goodness. Taken together though, the photos take on a whole new dimension. Kitty’s personality comes through, and it says, That’s right, human! Front, side, back, I’m sexy from all angles!

Below is another B&W series of Kitty. This time, it’s the same angle, but different poses.

These are all in 8×10′s. When looking through the online proofs, Kathy, the owner, wasn’t sure she wanted anything bigger than 5×7′s, since most photos already on display in her place were no bigger than 4×6′s. But I told her what she needed to hear: Bigger is better!! For these you MUST go for 8×10′s at least, and those 8×10′s MUST be grouped in threes, and those three MUST be ones of Kitty reaching for the dangling mouse. Must. That’s just how it had to be. Luckily it wasn’t too difficult to convince her of this, heh.

Delivering prints

Tuesday, February 10th, 2009 { FOCStudio Business }

I’m kind of on the fence about whether or not to drop-ship all orders. The pros are that the customers receive their prints faster and with less handling, as they’re coming directly from the printers. The cons are that I don’t have a chance to look at them first. It gives me peace of mind to be able to give orders the once-over before handing them over. But that means I’d be the middle man, and more resources in the form of time and supplies are necessary to package and to deliver the prints again. This extra step is not exactly GREEN, you know?

Except…I’m a sucker for nice packaging. The more paper and whatnot involved the better. If I had no qualms about decimating a forest with my giant carbon foot, I’d have Japanese silkscreened paper included somehow, and thank-you cards printed on linen paper or my logo letterpressed (love letterpress) on nice thick stock cards where I’ll write you a little note, and wax seals (eee!) and rubber stamping and stickers and lilac-scented tissue paper and cellophane and…

Or I can just keep it simple. When it’s just as easy for me to hand deliver prints as it to drop ship them, I’m going with this stick-’em-in-a-nice-envelope-that-has-a-slight-shimmer approach. They’re from Paper Source, in sizes big enough to hold 8×10′s and 5×7′s, as well as cardboard inserts meant to keep the prints unbent. I spent an entire Sunday evening breaking down boxes and xacto-knifing 8×10, 5×7, 4×6 cardboard rectangles. So there’s my green contribution to offset the extra paper used for the envelopes.

Attach the biz card using a pretty round paper clip, and it’s all set to go. I’m not letting go of the idea of letterpress thank-you cards though. If I could get a custom-made letterpress of the logo I would be in heaven.